Zonda.

Zonda takes its name from the hot Andean wind that drops out of the mountains into western Argentina — fast, dry and impossible to ignore. The concept is an urban aero helmet for the commuter who rides every day and wants one object that handles speed, rain and traffic without looking like race equipment.

The shell is split into two honest materials: a gloss-white aero crown with deep longitudinal vent slats, and a matte-black under-shell that drops low across the temples and the back of the head. Between them runs a single shadow gap that gives the helmet its profile. At the rear, a wraparound LED lamp — drawn like an automotive tail light — sits inside the black zone and reads from a full lane's width.

Modelled in Rhinoceros in one day as a deliberate sprint, and rendered in Light Tracer against a deep red studio environment chosen to stress-test the white shell's highlights and the lamp graphics at night.

Rhinoceros — one day from blank file to finished surfaces. The crown and under-shell were built as two clean NURBS volumes separated by the shadow gap, with the vent slats cut as a single repeating operation and the yokes pulled from the under-shell in SubD.

Light Tracer Render — all imagery path-traced in a single evening session. The deep red environment, the gloss/matte material split and the emissive lamp graphic were tuned together, since the lamp is the product's whole argument after dark.